It's possible that the fact that they can is the easiest way to explain this phenomena. When members of Generation Z label anything as fashionable, it gains widespread attention and adoption very rapidly. Because they have spent their whole lives with easy access to the internet, members of Generation Z have mastered the art of becoming viral. The automatic curation features of TikTok, Instagram, and YouTube make it relatively easy to frequently encounter the same look. In the context of the online community, the phenomenon known as fear of missing out (FOMO) presents itself as an inability to keep up with the most recent trend in street fashion or to finish the most recent dance challenge. In several of these online groups, young people are often spotted wearing chokers like Westwood's Mini Bas Relief Choker.
The pearl necklace with planet is easy to recognize because to the well-known orb logo that Westwood uses. This symbol, which goes back to the 1980s, is a mix of Saturn's rings and the orb that is worn by the sovereign. It serves as a reflection of both the past and the present due to the fact that it is a combination of historic British emblems and futuristic space elements. This seems to be a logical fit for Westwood's label due to the fact that her designs often put a modern and subversive twist on historically upper-class clothes like as the corset and the crinoline. The designer blends aspects of subculture with more conventional clothing rules in order to appeal to a younger market. This helps the designer appeal to a younger demographic.
The members of Generation Z have developed their own unique style by fusing together aspects of the past and the future. As dressing for your Instagram page becomes the norm, younger generations of fashion fans demand goods that are not only generally fashionable but also have the capacity to stand out. Because of this, thrifting and upcycling are becoming common practices among young people who are seen to be cool and stylish in today's society. Many famous personalities, both within and outside of the fashion business, have contributed to the dissemination of information by exhibiting the archival treasures that are privately held by them. This year, a number of celebrities, including as FKA Twigs, Bella Hadid, Megan Thee Stallion, and all of the Kardashian sisters have been seen wearing antique corsets designed by Vivienne Westwood.
Pearl chokers, on the other hand, have become a cheap status symbol for today's youth, in contrast to historical corsets, which may bring hundreds of dollars at auction. Young people who have grown up with the Internet have turned to the Internet in an effort to track down the elusive trademark item. This is because the Vivienne Westwood online shop and other large businesses have sold out of their supply. Customers in the Gen Z demographic often use the fashion marketplace app Depop to search for one-of-a-kind vintage goods. In recent years, there has been a rise in interest in vintage apparel, which has resulted in the related app developing into a de facto social networking platform. Generation Z has been credited for reviving obsolete styles and developing a subculture of its own via the appropriation of phrases such as "vintage" and "y2k" and transforming these terms into basic identifiers of Internet-approved clothes. On the other hand, it is essential to keep in mind that websites such as Depop are teeming with counterfeit versions of designer items, and that well-liked accessories such as the Vivienne Westwood choker will always be imitated by other brands.
The necklace's quick climb to Internet popularity demonstrates how millennials have democratized the once-closeted world of high fashion by making it easier to follow trends, discover new designs, and participate in on the delight that others feel over a single piece of clothing. If everyone wears the same thing, then it is not subversive; nevertheless, if only one person gets to determine what that item is, then it is disruptive. The importance of the next trend is increased when it is supported by an avant-garde designer such as Vivienne Westwood. The revival of long-forgotten goods from the past and the wearing of those items in the present provide an aura of mystique and seriousness to the situation. In addition, Generation Z has flipped the script and is now using fashion to create online community rather than competition. They have done this by using hashtags. 

Because of social media platforms like TikTok and Instagram, face-to-face connection and marketing, which have traditionally been of utmost importance in the fashion business, have taken on a lesser role. They have found out how to leverage on people's insatiable demand for trends by using social media, generating a never-ending stream of haul films and daily outfit updates, and capitalizing on people's need to follow the latest trends. It can't be denied that the Internet has helped them influence and magnify the process by which new trends form and are copied. This is something that can't be denied.
Teenage females in the United States who use TikTok and want to copy a user they saw on their "For You" tab might purchase a pearl necklace with planet from the app's own store. If you take a video of her wearing it and upload it on the internet with a famous song or sound effect playing in the background, she may immediately feel more connected to the group. Generation Z, in contrast to other important groups, is comprised of Internet-savvy consumers who are more loyal to one another than they are to any one brand. This generation of consumers is known as "Gen Z." Due to the brief nature of their fashion cycles, it is impossible to focus on any one designer for an extended period of time. And what could be more punk than having complete control over the situation?